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“We have to wrap this up because I have an interview with Jonathan Van Meter.” She laughs. She orders us a large pie, with pepperoni and jalapeño with ranch dressing on the side (not nearly as bad as it sounds). She asks me to grab a couple of glasses out of the cabinet, which is not bare, exactly, but close.

In a few days, Lawrence will fly to Atlanta, where she will begin working after some well-deserved time off. “I need a whole houseful of stuff,” she says as she swirls vermouth in a glass. Her career is unprecedented on every level: the smart choices, the awards, the box-office clout, the near-universal lovability.

“There are those scenes in cast mates Bradley Cooper and Robert De Niro, Lawrence is once again tackling a mature role.

The film is ostensibly about Joy Mangano, the Long Island housewife who, at 34, invented the Miracle Mop and got rich.

Buck the system, set up home, and try to find a date._It’s sweltering in Los Angeles, the kind of heat that melts the ice cubes in your caramel macchiato faster than you can say Kardashian. Forget meeting at the Italian restaurant on Laurel Canyon; just come to my house now.

As she opens a bottle of rosé, her dog, Pippi, comes scampering into the room.

Smallish and brown, she is adorably hard to pin down. “Oh, my God, I wish I could ask her.” When did you get her?

“Downtime is normally the bane of my existence,” she says. But I was actually enjoying myself this time,” she says. So it should come as no surprise that Lawrence is a little wary about the future. I will have a flop.” Next up is , a space movie with Chris Pratt. “It’s a space movie with Chris Pratt,” she says, then cracks up. I’ve got to fill up my year with things that are all 100 percent my decisions.” She has already made at least two: She has agreed to star in Steven Spielberg’s next film, based on war photographer Lynsey Addario’s book, . Addario is a fucking badass.” And in mid-October, Darren Aronofsky pitched his next project by reading his entire screenplay to Lawrence over a bottle of wine in his apartment in New York and she signed up on the spot, which is what being franchise-free really means for her now: She is in complete control.

It is, indeed, exactly that: a love story set in the very distant future, aboard a ship carrying people over unimaginable millions of miles to other livable planets. “It doesn’t feel like I’m being towed behind something anymore,” she says. Russell’s muse in three films was perhaps the most challenging franchise of all.

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